Bad books on writing tell you to ‘WRITE WHAT YOU KNOW’, a solemn and totally false adage that is the reason there exist so many mediocre novels about English professors contemplating adultery.

Joe Haldeman (via maxkirin)

Just choked on my fucking drink

(via thingsididntknowwereerotic)

I know nothing.

(via ktempest)


posted 2 days ago26/7/2014 • 28,293 notes
swingsetindecember | © maxkirin

Falling in love with yourself first doesn’t make you vain or selfish, it makes you indestructible.
Things I’ll teach my children (via infl4ted)

posted 3 days ago25/7/2014 • 174,444 notes
wildcat-troyb | © infl4ted

im gonna go to bed at ten tonight
someone who did not go to bed at ten and never will (via letsmakeloaf)

posted 4 days ago24/7/2014 • 322,024 notes
wildcat-troyb | © letsmakeloaf

Not all monsters do monstrous things.
Lydia Martin (Teen Wolf)

posted 4 days ago24/7/2014 • 22 notes
haveyoubeentimetraveling |

I’m not interested in them not dating. He’s 40, she’s 34. They had to work so hard to get to the point that they’re at now, and I want to see two people together working hard to make it work than breaking up. That’s not what I’m interested in right now.
Mindy Kaling on Mindy and Danny (x)

posted 5 days ago24/7/2014 • 1,024 notes
lorelaigilmore | © amindyproject

Okay, okay, I’m going to tell you what Hermione sees in Ron.

A trio is a balancing act, right? They’re equalizers of each other. Harry’s like the action, Hermione’s the brains, Ron’s the heart. Hermione has been assassinated in these movies, and I mean that genuinely—by giving her every single positive character trait that Ron has, they have assassinated her character in the movies. She’s been harmed by being made to be less human, because everything good Ron has, she’s been given.

So, for instance: “If you want to kill Harry, you’re going to have to kill me too”—RON, leg is broken, he’s in pain, gets up and stands in front of Harry and says this. Who gets that line in the movie? Hermione.

“Fear of a name increases the fear of the thing itself.” Hermione doesn’t say Voldemort’s name until well into the books—that’s Dumbledore’s line. When does Hermione say it in the movies? Beginning of Movie 2.

When the Devil’s Snare is curling itself around everybody, Hermione panics, and Ron is the one who keeps his head and says “Are you a witch or not?” In the movie, everybody else panics and Hermione keeps her head and does the biggest, brightest flare of sunlight spell there ever was.

So, Hermione—all her flaws were shaved away in the films. And that sounds like you’re making a kick-ass, amazing character, and what you’re doing is dehumanizing her. And it pisses me off. It really does.

In the books, they balance each other out, because where Hermione gets frazzled and maybe her rationality overtakes some of her instinct, Ron has that to back it up; Ron has a kind of emotional grounding that can keep Hermione’s hyper-rationalness in check. Sometimes Hermione’s super-logical nature grates Harry and bothers him, and isn’t the thing he needs even if it’s the right thing, like when she says “You have a saving people thing.” That is the thing that Harry needed to hear, she’s a hundred percent right, but the way she does it is wrong. That’s the classic “she’s super logical, she’s super brilliant, but she doesn’t know how to handle people emotionally,” at least Harry.

So in the books they are this balanced group, and in the movies, in the movies—hell, not even Harry is good enough for Hermione in the movies. No one’s good enough for Hermione in the movies—God isn’t good enough for Hermione in the movies! Hermione is everybody’s everything in the movies.

Harry’s idea to jump on the dragon in the books, who gets it in the movies? Hermione, who hates to fly. Hermione, who overcomes her withering fear of flying to take over Harry’s big idea to get out of the—like, why does Hermione get all these moments?

[John: Because we need to market the movie to girls.]

I think girls like the books, period. And like the Hermione in the books, and like the Hermione in the books just fine before Hollywood made her idealized and perfect. And if they would have trusted that, they would have been just fine.

Would the movies have been bad if she was as awesome as she was in the books, and as human as she was in the books? Would the movies get worse?

She IS a strong girl character. This is the thing that pisses me off. They are equating “strong” with superhuman. To me, the Hermione in the book is twelve times stronger than the completely unreachable ideal of Hermione in the movies. Give me the Hermione in the book who’s human and has flaws any single day of the week.

Here’s a classic example: When Snape in the first book yells at Hermione for being an insufferable know-it-all, do you want to know what Ron says in the book? “Well, you’re asking the questions, and she has to answer. Why ask if you don’t want to be told?” What does he say in the movie? “He’s got a point, you know.” Ron? Would never do that. Would NEVER do that, even before he liked Hermione. Ron would never do that.


Melissa Anelli THROWS IT DOWN about the way Ron and Hermione have been adapted in the movies on the latest episode of PotterCast. Listen here. This glorious rant starts at about 49:00. (via karakamos)

posted 5 days ago23/7/2014 • 81,332 notes
swingsetindecember | © karakamos

I knew he was something
The entire fandom about Parrish (via mccallible)


I always make your mom jokes at my sister and then I remember we have the same mom
unspeakablecrimes (via frickfrackintheanalcrack)


I wish to dispel the notion that women are “more emotional.” I don’t think we are. I think that the emotions women stereotypically express are what men call “emotions,” and the emotions that men typically express are somehow considered by men to be something else.

This is incorrect. Anger? EMOTION. Hate? EMOTION. Resorting to violence? EMOTIONAL OUTBURST. An irrational need to be correct when all the evidence is against you? Pretty sure that’s an emotion. Resorting to shouting really loudly when you don’t like the other person’s point of view? That’s called “being too emotional to engage in a rational discussion.”

Not only do I think men are at least as emotional as women, I think that these stereotypically male emotions are more damaging to rational dialogue than are stereotypically female emotions. A hurt, crying person can still listen, think, and speak. A shouting, angry person? That person is crapping all over meaningful discourse.


Jennifer Dziura, "When Men Get Too Emotional to Have a Rational Argument" (via misandryad)

posted 2 weeks ago10/7/2014 • 3,005 notes
clarissmatic | © thegloss.com